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The Atomic Age — Film and Science: Fictions, Documentaries and Beyond

///The Atomic Age — Film and Science: Fictions, Documentaries and Beyond

The Atomic Age — Film and Science: Fictions, Documentaries and Beyond

Call for Papers

THE ATOMIC AGE Area 2008 Film & History Conference “Film & Science: Fictions, Documentaries, and Beyond”

October 30-November 2, 2008 Chicago, Illinois

www.filmandhistory.org <http://www.filmandhistory.org/>

First-Round Deadline: November 1, 2007

AREA: The Atomic Age

After the creation of the atom bomb and its use against Hiroshima and Nagasaki in World War II, nuclear arms, energy, and science were the subject of countless films across a wide range of genres, from Godzilla and Dr. Strangelove to The China Syndrome, The Day After and 24. How did the movies respond to the atomic age? How did they represent nuclear science and scientists? Did Atomic Age films exaggerate or dismiss the dangers of nuclear weapons and energy? How did social or political events concerning atomic energy make their way into film? And, in turn, how did such films affect national policy or civic character? These are just a few questions to be addressed in this area, which investigates the impact of the nuclear age (1945 to the present) on society as portrayed through film and television. Presentations can, for example, feature analyses of individual films and/or TV programs from historical perspectives, surveys of documents related to the production of films, or investigations of nuclear history and culture as explored through film.

Genres could include films attempting to define atomic history, Hollywood blockbusters, TV programs or mini-series, science-fiction, propaganda, instructional films, documentaries, docudramas, newsreels and broadcast media, war films, national cinemas, music videos, avant-garde films, actualities, and direct cinema.

Paper topics might include atomic war, national security and secrecy, atomic espionage, ethics and morals, reel representations of atomic science and scientists, peaceful applications of nuclear power, atomic fantasies, nuclear dystopia, civil defense, myths, nuclear terrorism, government and institutions, the anti-nuclear movement, nuclear accidents and near-disasters, Hiroshima and Nagasaki in memory and post-memory, health, safety, environment, gender, ethnicity, race, class, etc.

Please send your 200-word proposal by November 1, 2007 to:

Christoph Laucht, Chair of the Atomic Age Area School of Cultures, Languages and Area Studies University of Liverpool Chatham Street Liverpool L69 7ZR United Kingdom

Phone: ++44(0)151-794-2404 Email: [email protected] <mailto:[email protected]>

Panel proposals for up to four presenters, are also welcome, but each presenter must submit his or her own paper proposal. Deadline for first-round proposals: November 1, 2007

This area, comprising multiple panels, is a part of the 2008 biennial Film & History Conference, sponsored by The Center for the Study of Film and History. Wheeler Winston Dixon, James Ryan Professor of Film Studies at University of Nebraska, Lincoln, and author of Visions of the Apocalypse and Disaster and Memory, will be a Featured Speaker. For updates and registration information about the upcoming meeting, see the Film & History website (http://www.filmandhistory.org <http://www.filmandhistory.org/>

By | 2010-12-13T15:36:40+00:00 December 13th, 2010|Conferences, Symposia & Workshops|Comments Off on The Atomic Age — Film and Science: Fictions, Documentaries and Beyond

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